OBSERVER: Tomas Clifford Got Stood Up
Rarely does an outstanding young talent such as Tomas Clifford emerge onto our stage. It was a delight to experience this fresh, multi-talented performer in his original musical-comedy cabaret Tomas Clifford Got Stood Up at the Melbourne Fringe Festival.
He tells his story of the raw feelings of a child growing up as a young gay boy, teenage crushes, unrequited loves and finding hope after being stood up as an adult. Tomas directed this show, wrote the lyrics and composed and arranged the score. His pithy, poignant and touching words are delivered with humour in verse in a combination of lyrics and storytelling. He is backed by six polished instrumentalists and a strong chorus of three vocalists.
Dressed white shirt and black trousers set off by suggestions of red, he nimbly dances in black high-heeled, platform shoes. He projects an energy in his movements on stage creating the perfect fit to drive the changing moods of his story.
Tomas has a beautiful and clear tone of voice whether in song or spoken. This attribute, in conjunction with a pervasive stage presence, sees him engage with his audience and fellow musicians with warmth and a great sense of fun.
Packed onto a small stage the tempo and colour of this ensemble’s electric performance is heightened by intense flashes of bright lighting and dynamic techno sound.
One hour passed too quickly. We’re left with a sense that this show could be developed into a larger musical. Whatever happens, I am certain that the strength and versatility of Tomas’s talents will propel him on to a great theatrical future. He is one to watch.
Review by Sherryn Danaher
Pictured: Tomas Clifford