OBSERVER: Carmen


Opera Australia’s Carmen is a sultry, sensual and passionate production.
I was both excited and privileged to attend the opening night of Opera Australia’s shiny, new, freshly updated production of Bizet’s Carmen at the majestic Regent Theatre in Melbourne.
The Regent was the most perfect venue for this sumptuous evening of spectacular singing, clever sets, splendid costuming and stunning lighting design.
Director Anne-Louise Sarks brilliantly brings Carmen 150 years into the future, making her story more relevant to today’s post-# MeToo audience.
It was a joy to see so many young, glamorously clad patrons in the foyer appreciating this glorious art form.
Clelia Cafiero’s conducting debut is thrilling. From the first moments of the brisk overture, we know we are in for a hell of a ride. The contemporary set designs were delightfully enhanced by clever lighting effects and amazing, colorful costuming.
The production seemed to project a musical Broadway type of familiarity for me, which makes it more accessible to today’s audiences. Especially as the dancers were so expertly integrated into the action that it was hard to distinguish them from the chorus.
Highlights for me were Danielle de Niese’s (Carmen) seductively enticing Seguidilla and the lively Gypsy Song (Les Tringles des Sistres), where she cemented her reputation as an accomplished actress and confident mover.
The enchanting Jennifer Black (Micaela) delivered the illustrious aria, Je dis que rien ne m’épouvante in the third act, with faultless technique and a spine-tingling top ‘Á’ in the climax.
Phillip Rhodes (Escamillo) made an impressive, dazzling and dramatic entrance in Act Two with a superb rendition of the Toreador’s Song.
Abraham Breton (Don Jose) executed his character, moving from a love-sick puppy to a dangerous stalker with finesse and artistry.
The most exhilarating moments by far were both the full chorus ensembles and the excellent children’s chorus. You can still catch performances of this extraordinary production up to November 25.
Information and Bookings: www.opera.org.au.
Review by Lucy Nicolson

Pictured: Danielle de Niese is Carmen.
Photo: Opera Australia