OBSERVER: Opening Night
Most people who have been involved in the world of theatre would recognise the challenges faced by actors when trying to stage a production; cast members dropping out, an uncoordinated technical crew, and a desperate need for funding.
Lucy Rees plays the director, producer and, ultimately, the only actor in a rehearsal that has gone wrong. Her only associate seems to be a technician in the dark at the back of the auditorium who is less than cooperative.
Written by Lucy Rees and James Collopy, the subject matter is identifiable, but the premise falters a little.
The subsequent monologues that make up the show are indicative of different forms of writing – there’s even a parody of Tim Winton’s Cloudstreet – but this makes one wonder if the purpose is the parody of form or the absurdity of just getting a show on stage.
The audience are treated as the writers of these monologues but remain at a distance from the action. The final request for audience members to read lines on a screen is more tutelage than engagement.
There is a character arc of a performer attempting to remain positive despite the unending travails of production. Taking this to its extreme end might provide a more even continuity.
Review by David McLean