OBSERVER: Batshit
In a marvellous display of the power of the well-written and well-performed monologue, Batshit was a moving and at times hilarious personal statement of the struggle for independence and respect sought by women.
Frustrated by the traditional role models of wife and mother prevalent in the 1960s, a woman, Gwen, seeks some semblance of freedom.
However, the predominantly male medical profession sees this as a sign of madness. Consequently, Gwen is incarcerated in a mental health hospital, drugged and subjected to electro shock therapy.
Written by Leah Shelton and Christine Shelton in collaboration with Ursula Martinez, the script was a fantastic example of a polished and exemplary use of multimedia to tell a story. A variety of stage techniques were used incorporating elements such as found documents of Gwen’s medical history, voiceover from her daughter about her mother’s experiences and audience interaction. As a result the narrative overall, while occasionally too didactic, was strong, clear and affecting.
This one-woman show was performed by one of the co-writers and Gwen’s granddaughter Leah Shelton. It was a marvellous performance, full of subtlety and nuance which, while clearly deeply personal, never became indulgent or sentimental.
Shelton showed great stage craft and skill in her telling of her grandmother’s tale.
This would undoubtedly have been, in part, due to the excellent direction of Ursula Martinez and the wonderful work of the production team that put the show together.
Confident and assured in her seamless blending of the various media used, Martinez never allowed these various techniques to outshine the wonderful performance she drew from Shelton.
What a shame then that this wonderful show had such a limited season at the Fairfax Studio and it is hoped that it will return to Melbourne some time in the not-too-distant future.
Venue: Fairfax Studio, Arts Centre, 100 St Kilda Rd
For further information about the event: artscentremelbourne.com.au/whats-on/2025/theatre/batshit
Review by Peter Murphy
Pictured: Leah Shelton.
Photo: Jackie Dixon